No Exit is a play by the French Existentialist, Jean-Paul Sartre, that takes place in hell. Three damned characters, Garcin, Ines and Estelle are locked in a triangle of guilt and denial where they cannot be forgiven or forgive themselves. Estelle attempts to seduce Garcin, who wants to be forgiven for his cowardice. Ines is appalled, telling Garcin that Estelle only forgives because she wants him. Estelle tries to kill Ines but she cannot die again. The three resign to eternally torturing one another.
Joseph Garcin – His cowardice and callousness caused his young wife to die "of grief" after his execution. He is from Rio de Janeiro, Brazil and deserted during an unspecified military conflict. He was unfaithful to his wife – he even recalls, without any sympathy, bringing home another woman one night, and his wife bringing them their morning coffee after hearing their engagement all night. Initially, he hates Inès because she understands his weakness, and wants Estelle because he feels that if she treats him as a man he will become manly. However, by the end of the play he understands that because Inès understands the meaning of cowardice and wickedness, only absolution at her hands can redeem him (if indeed redemption is possible). In a later translation and adaptation of the play by American translator Paul Bowles, Garcin is renamed Vincent Cradeau.
Inès Serrano – Inès is the second character to enter the room. A lesbian postal clerk, she turned a wife against her husband, twisting the wife's perception of her spouse and the subsequent murder of the man (who is Inès' cousin). Indeed, Inès seems to be the only character who understands the power of opinion, manipulating Estelle's and Garcin's opinions of themselves and of each other throughout the play. She is honest about the evil deeds she, Garcin, and Estelle have done. She frankly acknowledges the fact that she is a cruel person.
Estelle Rigault – Estelle is a high-society woman, a blonde who married an older man for his money and had an affair with a younger man. To her, the affair is merely an insignificant fling, but her lover becomes emotionally attached to her and she bears him a child. She drowns the child by throwing it into the lake, which drives her lover to commit suicide. Throughout the play she tries to get at Garcin, seeking to define herself as a woman in relation to a man. Her sins are deceit and murder (which also motivated a suicide). She lusts over "manly men", which Garcin himself strives to be.
Valet – The Valet enters the room with each character, but his only real dialogue is with Garcin. We learn little about him, except that his uncle is the head valet, and that he does not have any eyelids, which links to Garcin because Garcin's eyelids are atrophied.
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